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Written by Seidl and Veronika Franz; Paradise: Love is a film so explicitly honest to the point of being awkward; that most viewers, embarrassed for Teresa, will look away during moments of vulnerability and self-revelation.
The camera of cinematographers Edward Lachman and Wolfgang Thaler looks on unflinchingly during a scabrous encounter with her first companion: does he find her attractive? Why would he want to make love to her a beached whale with sagging upper glands, belly full of fat, soggy exterior flawed with celluloid?
Suggestions that Seidl manipulates viewers with exploitative logic are also suspect in affecting the film's overall reception.
Yet, it would be prudent to withhold from believing such.
On the beaches of Kenya they're known as "Sugar Mamas" -- European women who seek out African boys selling love to earn a living.
But in rhythmic throes that oscillate between anguish, ecstasy and depravity the African rendition of La Paloma; perhaps a bit saddened by its contrast with the ugly, ordinary trading off between flesh and soul Seidl derides the remarkable irony of what it means to be human. See full summary » In conurbations where hundreds of thousands live alongside one another, in the era of a highly technological society, in which communication has never played such a significant role, man ...See full summary » Ulrich Seidls follow wealthy tourists going on safari to kill often endangered species.Herzog's candid remark, conflated into a handy, overused critique isn't worth repeating here.Loneliness, exploitation, the prison room of cultural and self- repression are themes in this Austrian drama.